Next, adjust the threshold and makeup gain in tandem until all of the notes in the performance sound fairly even and consistent. Flip the compressor in and out of bypass, and add makeup gain until there is no difference in level between the two. Then, turn down the threshold (or turn up the input gain) until compression starts kicking in. Remember-you’re trying to make the bass fit with everything else, so you need to listen to everything together in order to make the right decisions! Getting Started When you’re dialing in bass compression, it’s important to listen to the track in context with the rest of your mix. However, in genres like EDM, they can often be desirable-if carefully timed to enhance the groove.Ĭlick here to learn 6 ways to use compression like a pro.
In general, these artifacts are a sign that you need to back off on your threshold or ratio. There are no hard-and-fast rules here-use as much as you need to achieve the sound you’re looking for.īe on the lookout for some of the negative side effects of compression, such as the pumping and breathing that might occur when the compressor grabs onto and pulls back from a note. On the other hand, softer styles like jazz and folk typically need less. Modern, more aggressive genres will often warrant heavy compression. They’re often dynamically consistent enough as-is. If it ain’t broke, don’t fix it! How much compression should I use?Īgain, it depends on how the bass part was played, as well as the mix you’re trying to fit it into. Programmed bass parts may not need any compression. If certain notes are getting lost in the mix, while others are too loud, this is also a clue that some compression might be needed. If you find yourself continually adjusting the bass fader during the course of the mix, this might be a clue that you need to compress the bass. This means it will need less compression. If the part was played well, its dynamics will likely be fairly consistent to begin with. It depends on how the part was played, as well as how it fits with the rest of the tracks in your mix.
Pro Tools’ stock compressor Should I compress the bass?
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